And “Requiem”-with its brain-canceling synth-pulse, its angelic staircase of a riff, its processional stomp into the end times-is once more the anthem of the hour. But 2020 was an especially Killing Joke type of year. “When the meaningful words/ When they cease to function …” Catastrophe-ready since 1979, millenarian post-punkers Killing Joke have never really gone out of style. One of the racier songs on the album, “La Difícil,” finds him waxing poetic about a woman who calls only when she needs him after a night out. Really, you could play the entirety of Bad Bunny’s YHLQMDLG and catapult yourself into the new year with the Puerto Rican star’s high-energy Latin trap. The pandemic won’t fully be over until go-go boys at crowded beach bars get to shout the final chorus. In a career full of cheesy-ass liberation cries, this is Gaga’s purest one. But search as you may, delve as you might, you won’t find a deeper, more wildly creative two and a half minutes of dub than this. Shay Lia’s voice is so light, it’s practically atmospheric, the song a reminder that there’s beauty-comfort, even-in thoughtful repetition.ĪUGUSTUS PABLO, “ KING TUBBY MEETS THE ROCKERS UPTOWN”ĭub reggae is literally bottomless: an echo-world without a floor, and an inexhaustible amount of material. If ever there were a song that insisted on shimmying, it’s this gauzy offering from the pair of Canadian musicians. The rapper Bree Runway makes a solid case for the title of Next Big Thing on “ATM” while commiserating with that forever-future-of-music, Missy Eilliott, about the hassles of travel. Something to look forward to every new year: the future of music. Musical bioengineering at its most soulful and loving.īREE RUNWAY FEATURING MISSY ELLIOTT, “ ATM” This live version is the best: The crowd’s delayed roar of gladness as the beat drops at 8:39 is like a chemical exploding softly across the brain centers. Somehow, DaBaby’s brisk, frenetic rapping doesn’t feel out of place on the bubbly pop track instead, it adds a live wire.Įuphoria? Communion? Here it is, the pure, silvery, “everyone’s together” rush. “If you wanna run away with me, I know a galaxy / And I can take you for a ride,” Dua Lipa sings, and for a moment, interstellar travel seems possible. Using a magic-dusted groove and a velvet voice, the Ariana Grande songwriter and rising R&B star Victoria Monét offers counsel relevant to all of humankind after 2020: “I’m hoping that experience will get you to change.” Also, be sure to stream “Runway” on Spotify and connect with Stunna Girl on her social media.VICTORIA MONÉT, KHALID, AND SG LEWIS, “ EXPERIENCE” Watch Stunna Girl leap from the runway to the top of the culture in 2020. Her bars prove just as head-turning as the ensembles, and she proclaims, “ Bitch, I look like I’m fresh off the runway.”Ībout the song, she commented, “‘ Runway’ is all about a lifestyle: being confident, sexy, and getting anything you set your mind to.” As “Runway” continues to put up numbers at an extraordinary pace, Stunna Girl is hard at work on her major label debut EP with Epic Records-slated to arrive soon. Alternating between eye-popping outfits, her star-power takes center stage as models walk by while she frantically raps over manic production. The glossy visual shows the budding Sacramento, CA-born superstar take over a fashion show with endless swagger and confidence for days. After racking up over 20 million streams and hitting the top of Spotify’s US Viral 50, Stunna Girl-one of 2020’s most exciting rising artists-unleashes the official music video for her breakout smash “Runway.”
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