![]() ‘Erchontai oi Diethneis Mousikes Imeres Kalamatas ’ in, 22 September 2020, retrieved on. ‘Dynamiki epistrofi gia tis Diethneis Mousikes Imeres Kalamatas ’ in, 22 September 2020, retrieved on. ‘Diethneis Mousikes Imeres Kalamatas: Epistrefoun dynamika sta teli Septemvriou! ’ in, 12 September 2020, retrieved on. With Greek intertitles and English subtitles. The screening is in co-production with the Filmhouse – New Film Club of Kalamata and the Greek Film Archive. Gabriele Milozzi, alto and soprano saxophonesĪnastasis Gouliaris, percussion und vibraphone With influences from musicians like Steve Lacy, Alban Berg, Sam Rivers and Paul Bley, the music will follow the sexual awakening, anxiety and despair of the two lovers, and offers a fresh concept of moving image accompaniment. At the same time, it will intertwine into an aesthetic dialog with the cinematic work by Laskos. The original music by Arionas Gyftakis will accompany the bucolic mood and spirit of the film through its harmony, rhythm and improvisation. However, after a copy was found in the USA, the film was restored by the Greek Film Archive with the collaboration of its director in 1992. The original copy and the negative of the film were lost for many years. It was shot on the island of Lesbos and at the Lake Vouliagmeni. The film remains quite faithful to the ancient work. Only after facing many obstacles and challenges do they eventually succeed in fulfilling their desire. Daphnis and Chloe grow up together, herding the flocks for their foster parents and eventually falling in love. Each decides to raise the child he finds as his own. A goatherd named Lamon discovers Daphnis, and a shepherd called Dryas finds Chloe. Set on the island of Lesbos, Daphnis and Chloe is a story of sexual awakening between a boy and a girl, each of whom were abandoned at birth. The film is sometimes considered to be the first European film containing nude scenes, causing notable reaction at the time of its release in 1931. All actors, including the protagonists – Greek-American dancer Loucy Matli and Apollon Marsyas (pseudonym of the later photographer Edison Vichos) – were amateurs. Introduzione: Lentoīased on the namesake novel of the 2nd-century writer Longus, Daphnis and Chloe was written and directed in 1930 by the poet and early film pioneer Orestis Laskos. Henri Dutilleux (1916 – 2013), Trois strophes sur le nom de Sacherīenjamin Britten (1913 –1976), Cello Suite No. 3 in C major for violoncello solo, BWV 1009, VI. 3 in C major for violoncello solo, BWV 1009, V. ![]() Kurtág, Az hit: Parlando, rubato, con slancio ![]() 3 in C major for violoncello solo, BWV 1009, IV. 3 in C major for violoncello solo, BWV 1009, III. 3 in C major for violoncello solo, BWV 1009, II. PilinszkyJános: Gérard de Nerval: Largamente 3 in C major for violoncello solo, BWV 1009, I. This performance presents an opportunity for the audience to challenge any assumptions they have about painting, music and the qualities they share. It will remain up to the viewer and listener to draw the lines between what is lived, and what remains of that experience. How does what we hear influence what we see and vice versa? If music is the art of the moment, then painting must be the art of capturing a moment.įrom Bach to Britten, over Kurtág and Dutilleux, paint and music will enter a dialog over important works of these composers. This performance explores the endless possibilities and limits of music and paint. Richard Wagner, The artwork of the future (1850) When eye and ear mutually reinforce the impressions each receives, only then is artistic man present in all his fullness.” Any fragmentation of his artistic sensibilities limits his freedom, prevents him from becoming fully what he is capable of being. “Artistic man can be wholly satisfied only by the unification of all forms of art in the service of the common artistic endeavour.
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